Ten years ago the self-appointed
designation of ‘writer’ was legitimized when I received a copy of my first published
story. Printed in Illya’s Honey, a lovely little journal published out of
Dallas, words I had set in order were printed under the name I had chosen for
myself.
I remember receiving the letter of
acceptance. Back then every submission consisted of a sheaf of papers – never
stapled together upon pain of rejection (I have always preferred those
pretzel-shaped ideal clips) – with a self-addressed-stamped-envelope that you
charmed to repel form rejections. In the garage somewhere I have half-empty return
address mailing labels for three different addresses. Today young writers would
have to print out their rejection emails to have a collection from the world’s
great literary journals to nail above their writing desks – I have actual paper
rejections from Esquire, Playboy, Ploughshares, and more.
When that first acceptance came I
immediately became a cliché: I had become so acclimated to no’s that I had to read it more than once to believe that it was a
letter of yes!
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